Showing posts with label Sheroes. Show all posts
Showing posts with label Sheroes. Show all posts

Tuesday, December 13, 2016

A Look into the Business of Show Business.


Sheroe. Ms. Marvel and A-Force writer, Willow Wilson, an Eisner award nominated author
of books and comics posing on her August 31, 2016 birthday with a young fan.



Heroic Girls



Harrison Ford is still Han Solo at 73, Arnold Schwarzenegger is still The Terminator at 68, Sylvester Stallone is still Rambo at 65, so why we need new Xena and Gabrielle? Lucy Lawless and Renee O'Connor are only in their 40's! This observation is on the table for discussion in the world of cartoons, cultural heroes, and sheroes, fantasy, science fiction (the science of the possible), and Marvel Comics.

Now that is a strong question.

I don't want to see a new Xena or Gabrielle. How did they live? How did their idealism pan out over two decades? You know they will have different kinds of strengths and age will start to show enhancing what was already appealing.

As a man, those two were the secondary reason my son and I watched the show together on weekends. At first, we couldn't imagine powerful white women. In our estimation it was simply unlikely. Then we realized what the writers were doing with myths, and legends and creation stories from various parts of the world and eras. Once, the imagination was loosed each episode was anticipated. Also, they had the best back stories for such an odd friendship and in the 1990's the best outfits and opening music! - Gregory E. Woods, Keeper of Stories 12/6/16


Xenia, the Warrior Princess in combat.


Renee O'Connor as Gabrielle in the series Xena the Warrior Princess in a water scene.

Renee O'Connor was born at 1971-02-15.


Lucy Lawless on the television series Spartacus: Blood and Sand and Spartacus: Gods of the Arena as Lucretia, Quintus Lentulus Batiatus' wife. .


Friday, May 16, 2014

WOMAN'S POWER by Max Dashu (part 2)



Female boldness has in many societies been required simply to defend personal liberty and self-determination, carving out space to act in spite of patriarchal constraints, to become what the English called "a woman at her own commandment." Agodice practiced medicine in classical Athens disguised as a man, risking the death penalty then in force against female physicians. About two thousand years later, Miranda Stuart used the same strategy to get her M.D. As Dr. James Barry, she became Chief Surgeon for the British Navy. Her subterfuge was not discovered until her death, although she came close after being wounded in a duel.

This route of adopting a cloak of male privilege was followed by countless female adventurers, including Carmen Robles who became a colonel in the Mexican Revolutionary Army, and Elvira Cespedes, who practiced medicine and married a woman in 16th-century Spain — until she was denounced to the Inquisition and sentenced to a long term confinement and forced labor.

Female mavericks were also active in the arts and sciences. The renegade nun Okuni originated the Kabuki Theater, from which women were soon banned. In Moorish Spain, the poet Walladah bint-al-Mustakfi rejected the veil and marriage, preferring to host intellectual salons and took female, as well as male lovers. Around 975, her counterpart Aisa bint Ahmad declined a proposal by a poet she disliked with a defiant stance: "I am a lioness/ And will never consent to let/ My body be the stopping place for anyone/ But should I choose that/ I would not hearken to a dog/ And how many lions have I turned down."

The most courageous women challenged oppression. The famous Swahili singer Siti Binti Saad rose from the oppressed classes to make Taarabu music her vehicle calling for social justice in what is now Tanzania. She protested class oppression and men's abuse of women. Her song "The Police Have Stopped" sharply criticized a judge who let a rich wife-murderer go free. She seemed unafraid even of the sultan.

The battle leadership of a Pawnee elder saved a village from attackers, and so she was named "Old Lady Grieves the Enemy." Afterward, she taunted wife-beaters, telling them to go after the Poncas who came to burn up the village, and leave the women, who do no harm, alone.

There are many historical accounts of women warriors, and women often fought to defend their homes, their people and their country. However, although it is hard for many people today to conceive of such broad female authority, in some societies women had the formal power to veto the decision to go to war. The Cherokee Beloved Woman, in her capacity of representing the women at the men's council possessed this authority, and so did the Gantowisas (Matrons) of the Six Nations (Iroquois). It was the women who supplied warriors with dried food and other necessities, and they suffered the consequences of war as well. There was a saying, "Before the men can go to war, the women must make their moccasins." (See Moccasin Makers and War Breakers, below.)

The Lisu people of Yunnan (southwest China) once had a tradition that fighting had to stop if a woman of either side waved her skirt to call for an armistice. Often this would be a highly-regarded elder. The skirt, imbued with the woman's mana, symbolized the life-giver's power. A woman taking off her outer skirt was also the signal for war or peace in the Pacific island Vanatinai, where women were also the traditional protectors of prisoners of war.

© Max Dashu 2000


Stacy Keibler, pro wrestler & mother
WWE champion



Thursday, May 15, 2014

WOMEN'S POWER by Max Dashu

woman carrying bag walking on long road


Women's Power


What does that mean: women who openly display their power, knowledge, and skill, receiving public recognition and honor? But also females who manage to wield power in societies that try to limit it or decree female submission; where their leadership is stigmatized and their creativity disdained, and women who resist and overthrow oppressive traditions and regimes, who break The Rules in defiance of unjust legal and religious "authorities;" who pursue their vision in spite of the personal cost.

Women have determined the course of events and the forms of human culture. We originated, founded, governed, prophesied, created great art, fought for our rights, and for our peoples. These are the women edited out of history, their stories omitted, distorted, and replaced with an endless litany of men (and the occasional queen or meddling concubine). Our ignorance of these women is greatly compounded by the omission of information on societies, which accorded females power in public life, diplomacy, religion, medicine, the arts as well as family structure and inheritance. Both racism and sexism are implicated in these silences and gaps.

So we need a remedial history that reconstructs the female dimensions of human experience and achievement, and recovers the distorted and obliterated past of Africa, the Americas, and all other regions neglected by the standard textbooks and mass media. This will be a provisional history, because all the facts are not in yet, and previous interpretations are being reevaluated for gender, race, and colonial bias. More importantly, the indigenous oral histories have only barely begun to be integrated into mainstream narratives.

Women have often been relegated to the footnotes of history, and even those are highly selective. As Sandra Cisneros wrote of her search for Latina sheroes, "We are the footnotes of the footnotes." Yet the heritages of women of color, especially the indigenous cultures, supply the most dramatic examples in recent history of open embrace of female power. But even Europe looks different when we look at the common women and encompass places like Bulgaria, Estonia, Corsica, or Iberian Galicia.

Maori beauty from
Mereana Taki

Women's history demands a global perspective. There's far more to it than Queen Elizabeth I, or Susan B. Anthony. We need to refocus historical attention from the school of "famous women" (often royal females) to encompass broader groupings of women with power: clan mothers and female elders; priestesses, diviners, medicine women and healers, market women, weavers, and other female arts and professions. These "female spheres of power," as I call them, vary greatly from culture to culture. Some of them, particularly the spiritual callings, retain aspects of women's self-determination even in societies that insist on formal subordination of female to male in private and public space.

There's a striking interplay between women's spiritual and political leadership, especially in many indigenous societies. I'm thinking of the Evenki shaman Olga who was both chieftain and religious leader of her Siberian village about a century ago, and the Machis of Chile, shamans who are deeply involved in the Mapuche sovereignty effort. But this overlap occurs even in imperial contexts, as when the aged Mikogami Pimiko was chosen as ruler to save Japan from a chaotic struggle for power in its early history. Another example would be the important role the Candomblé Maes de Santo have played in the African-Brazilian community since early modern times.

Priestesses or diviners have often led liberation movements: Nehanda Nyakasikana in the Shona revolt against English colonization of Zimbabwe; María Candelaria in the Maya uprising against the Spanish; and Toypurina in the Gabrieleño revolt in southern California. In 1791, the old priestess Cécile Fatiman inaugurated the Haitian revolution against slavery in a Vodun ceremony in the Bois Caiman. Even earlier, the seeress Veleda was the guiding force behind the Batavian insurrection of tribal Europeans against Rome, and Dahia al-Kahina ("the priestess") led Berber resistance to the Arab conquest of North Africa. And Gudit Isat (Judith the Fire) who overthrew the Axumite Empire in 10th century Ethiopia was remembered as a religious leader as well.

Often this female leadership does not rely on institutionalized authority, but on recognized personal power. The Apache seer and warrior woman Lozen is remembered for her acts of bravery and her clairvoyant ability to guide her people away from danger as they fled Anglo settler armies in Arizona and into Mexico. Granuaile Ní Mhaille (Grainne O' Mailley) surmounted the absolute masculine monopoly of military and seafaring enterprise to become, through her pirate fleet, the uncrowned "She-King" of the Connemara coast of Ireland, and the scourge of the British Navy in the 1500s... (to be continued...)


shield of a Warrior Woman

Native American woman
Lynn Boots Toootoosis



















2 black lovers naked & embracing by King King