Showing posts with label article. Show all posts
Showing posts with label article. Show all posts

Thursday, March 7, 2019

Urban Blight


The New York Times
Goodbye, Sidewalk Trees
RONDA KAYSEN


Facing expensive upkeep costs when towering trees cause sidewalk hazards, some suburban towns opt to uproot them entirely.
Like many New Yorkers who left the city for the suburbs, I was drawn to my block, an otherwise forgettable street, for its soaring sidewalk trees — pin oaks, lindens and ash — that shade it in the summer and stand like barren giants in the winter.
So I was stunned to step outside a few weeks ago on a bitter winter afternoon and see a line of white X’s spray-painted across their trunks. The next day, my next-door neighbor, Stacey Millett, whose home shares the corner with a ginkgo whose leaves turn golden in the fall, called the town forester and learned that all the trees would be cut down as part of a repaving project.
“ALL of them,” Ms. Millett, 41, who has lived on this block of West Orange, N.J., with her family since 2010, texted me. “He wasn’t kidding.”
Look out an apartment window in the city and the trees certainly add color, texture and life to the streetscape. But the view is often dominated by the architecture of the skyline and the street life below. In the suburbs, trees play an outsize role, offering not just shade and beauty, but sometimes the richest character on a block, particularly one like mine with mostly smaller, unmemorable homes.
They also improve the environment — and property values. A 2009 study in Portland, Ore., found that the presence of street trees boosted the sale price of a home by close to $9,000 and reduced its time on the market by 1.7 days.
The years, however, have not been kind to our leafy friends. Over the last decade, the Northeast has lost millions of trees to storms, drought and disease, reshaping and reducing the canopy. In one storm alone in March 2018, West Orange lost 116 of its roughly 10,000 trees, according to John Linson, the town’s forester.
In the six years that I’ve lived here, I can count a dozen that have died on the square block that circles my property. A curve carved in the sidewalk in front of my house is all that remains of a tree that stood in front of my home until it died some years ago. Just a few days ago, high winds knocked a tree onto a power line a few blocks from my house.
Despite these losses, I had not expected to lose so many at once. And yet, West Orange is grappling with a problem faced by communities around the country. Street trees planted decades — and in some cases, a century — ago were not ideal species for a paved environment and are now large, mature and in need of maintenance. With little soil available beneath the sidewalk, roots interfere with drainage systems, and buckle concrete. Utility companies aggressively prune tree limbs away from power lines, leaving awkward, and potentially unstable, V-shaped trees.
“We’ve created a system that is not healthy for trees,” said Mike Brick, the chairman of the West Orange Environmental Commission, who suggested that homeowners plant trees in their yards instead, where the roots have more space to grow. “It is a compromised system, at best, and no one paid attention to it.”
And so, the iconic Norman Rockwell-style streetscape is fading away. As West Orange replaces sidewalks and curbs, it often removes old town-owned trees and plants new species that are more compatible for the location, if homeowners request them. “Over the next 20 or 30 years, there won’t be any tall trees where there are overhead wires,” Mr. Linson said.
Conservationists espouse maintenance methods that could protect more trees, like permeable sidewalks and more careful pruning. While these efforts are often costly for cash-strapped towns, they could preserve a resource that cleans particulate matter from the air, absorbs runoff and reduces the heat index. “The benefits to society far outweigh the costs” of higher maintenance, said Robert McDonald, the lead scientist for the Global Cities program at the Nature Conservancy.
West Orange does make some accommodations. Some trees, like those far from utility wires or set back from the curb, where their roots are not compromised, may stay. For smaller repaving projects, the trees may not be affected at all. If a property owner asks for the tree in front of his or her house to be spared, the town will try to save it by leaving the existing curbing or using an alternative curb material like a steel plate, which is less attractive than the typical Belgian block, but does not require the deep footings that cut into root systems. The town may also cut the sidewalk out around the trunk or build an incline over the roots, or simply leave that portion of the sidewalk unrepaired. But if the tree stays, the homeowner would be responsible for the cost of any future sidewalk repairs.
Repairing a sidewalk is not cheap, costing a homeowner an average of $1,318, according to HomeAdvisor. Delaying work could mean tickets from the town, or a lawsuit, if someone trips and falls.
In 2016, West Orange residents Miriam and Mark Reimer were warned by their homeowner insurance company to repair their damaged sidewalk or face a rate hike or a loss of coverage. Soon after, West Orange sent them a separate letter, saying that as part of a sidewalk replacement project, the town planned to remove the tree in front of their house, along with most of the others on the block of large, stately trees. The town would pay to replace the sidewalk. The Reimers didn’t contest the plan (nor did their neighbors), and requested that a new tree be planted.
“If we hadn’t gotten that letter, maybe we would have chosen to keep some of those trees” on the block, said Ms. Reimer, 38, a freelance editor, who described the new look of her street as “barren.”
West Orange removes roughly 300 trees a year, and plants about 100 new ones. “It’s a deficit,” Mr. Linson said. “It’s mainly because people don’t want a tree” in front of their property, and the town will not plant a tree a homeowner does not want. Some homeowners see the trees as a nuisance, with leaves that need to be raked, roots that may eventually upend sidewalks, and branches that could come crashing down in a storm.
I don’t mind the raking, and I see trees as a gorgeous marker of time. With none in front of my house and the prospect of losing the others on the block, I added my name to the request list. Ms. Millett said she planned to request two trees, and to ask the town to leave the ginkgo, even though she was told that it could eventually damage her driveway.
But for all the hope for the future a sapling may represent, I wonder if I will be here long enough to see these new young ones fill out and replenish my block. Instead, I may only get to experience them as sparse reminders of the giants that have been lost.
Related video: Beetle forces loggers to race against time (provided by The Associated Press)
article


Thursday, January 24, 2019

He Thinks About Black Women.



Face of a Black woman by Jimmy Law.



Beautiful Black women have learned to doubt their wondrous and mysterious beauty. They have forgotten who they are. They have forgotten that once upon a time, they were the center of beauty and it was made very public that Black women were adored by people from all over our world.
Beautiful Black women have forgotten that there are still statues that admire their beauty and they are drawn in caves, tunnels and pyramids all over the planet. Beautiful Black women have forgotten that they are the original works of art and the original piece will always be the most valuable. Beautiful Black women have forgotten that they have birthed humanity all across the planet which is why they will always be seen as majestic, whether in secret or publicly. Their can be no beauty as beautiful as the most beautiful Black woman. Black women have forgotten, that even to this day, Catholic priests secretly pray to her and ask her to forgive their skins...




dark skinned woman by Ray Pitts



Dark compelling beauty of Bennie Rose by Roseograph


…Some, not most, black men are handing their black women over to the wolves in a desperate attempt to fit in with a supremacist white society that has downgraded and killed black men and black women for centuries. It’s put to black men as if now they have justification for the predicament they are in. Let’s blame the beautiful black women because she didn’t do a good job raising the black man. But this is not fair and this is not accurate. For if anyone deserves to be punished for their role in bringing up black men, enough blame can be passed to black men. The burden is for the black men and black women to share together… [author unnamed



Forbidden fruit by J. Alex


Friday, January 18, 2019

Ken Marcus, a MASTER



Photographer, Ken Marcus.

"All these years I have admired your work, not realizing you evoke and come from feelings levels deep in the sensory worlds of belief, non-belief, exploration, and realizations beyond 'what is there'! There are responsibilities to have in this field of endeavor you move with like a mysterious and serious seer. . .

Bless you, I do." - Dawn Wolf, Keeper of Stories 1/18/19



Erotic Glamour Art, Fetish and Nature Nude Photos from World Renown Photographer Ken Marcus of Hollywood, California, USA

We are ringing out January gloriously courtesy of 12 Glamour Art, Fetish and Nature Nude images from Hollywood, California Photographer Ken Marcus.
Ken has for over 30 years been producing award-winning photographs of the world’s most beautiful women.
Perhaps you were at one of his seminars?   Through the years, Ken has given back by conducting hundreds of workshops, seminars and lectures on the fine art of glamour and nude photography and has instructed thousands of photographers throughout in the US, Europe, Australia, Asia, and South America.
His work runs the full spectrum on into beautifully well done erotic fetish photos, some samples of which are included here.
Ken’s works have been featured world-wide and are regularly to be found in the finest Galleries, Museums, Magazines and Books.
You may well know his work from Playboy, Penthouse, Muscle & Fitness or countless other magazines. 
Ken’s first interests in photography began by age 5.
By age 12, Ken was the youngest student studying under Ansel Adams in Yosemite National Park.
You can see Ansel’s influence in a number of Ken’s Black and White Yosemite figure studies.   More on Yosemite later… 
Photographer Ken Marcus. Yosemite National Park Nude Male as Atlas with Boulder.

Ken attended Art Center College of Design and Brooks Institute of Photography while also continuing on his studies with Ansel Adams for 13 years.
By age 17 Ken had started his own photography business, Ken Marcus Studios, Inc., and has been a freelance photographer ever since.
Ken Marcus Studios, Inc., has since produced thousands of national advertisements, celebrity posters, calendars and album covers for editorial, commercial, and entertainment use for both domestic and international clients.
When Ken hit 23, Ken his interests shifted from nature to au natural, nudes that is…
Yay!
Many of us began to see Ken’s work at this time as he began shooting for Bob Guccione’s Penthouse Magazine as their first American photographer.
Three years later he was the main centerfold photographer for Hugh Hefner’s Playboy Magazine.
While working with Playboy, Ken produced hundreds of glamour editorials, calendars, covers and Playmate layouts.
After 11 years shoot for the ‘Big Bunny’, Ken was again shooting for Penthouse.
For the next 10 years, he shot editorials and covers as well for Muscle & Fitness Magazine where he photographed some of the world’s top bodybuilders and fitness models. 
Body Builder Male and Female Nude on Top of Large Boulder by Ken Marcus

Very busy during this time, Ken was selected as the ‘Artist in Residence’ at the Yosemite National Park Museum where his Nudes in Nature series still exists as part of their permanent photographic collection and some examples of which we are viewing here today.
Ken is currently involved in shooting and producing images for his website.
His most recent works revolve around themes of bondage, fetish and other erotic situations.
He is now most interested in working with erotic models, ballet dancers, contortionists, body builders, performance artists, athletes and others that involved in body modification, artistic self-expression and/or alternative lifestyles… Still my hero.
You a big fan of Ken’s yet?
Check out more of his expanding body of work by Click Here.
Images © Ken Marcus Studios
For a listing of Photographers Profiled on GlamourPhotography.co,
 click herePosted on Categories Portfolio