Showing posts with label Akan. Show all posts
Showing posts with label Akan. Show all posts

Tuesday, November 3, 2015

GO BACK & UNDO


Sankofa bird



Ghana is home to the Akan people, whose philosophy and way of life gave birth to the idea of Sankofa. Sankofa  means “return to the source and fetch it”, “look back and walk forward”and “the wisdom of learning from the past to build for the future”.

 ”It is often associated with the proverb, “Se wo were fi na wosankofa a yenkyi,” which translates “It is not wrong to go back for that which you have forgotten.” Inherent in the understanding of Sankofa is the belief:

“It is not taboo to return and fetch it when you forget.

“You can always undo your mistakes.”

The idea of Sankofa is literally embedded in the culture of the Akan, for it is found within their Adinkra writing system. The Adinkra is a series of symbols used to communicate the Akan’s organizing logic or spirituality of their culture.

The website www.allafricawithin.com states that the literal translation of Sankofa is:

“The symbol is based on a mythical bird that flies forwards with its head turned backwards. This reflects the Akan belief that the past serves as a guide for planning the future, or the wisdom in learning from the past in building the future.

The Akan believe that there must be movement with times but as the forward march proceeds, the gems must be picked from behind and carried forward on the march.

In the Akan military system, this symbol signified the rearguard, the section on which the survival of the society and the defense of its heritage depended.”  ©VisionThought 2010. All Rights Reserved.



Bruni Sablan's Heavy Set Woman Marks - Terra Cotta Clay with Black Patina
Bruni Sablan nov. 23, 2013

FELT TIPS FROM KRISTINA'S 'Heavy Set Woman' Mark's -Terra Cotta Clay with Black Patina.
9"x14" on cardboard
AVAILABLE: 408-298-4700
WWW.BRUNIJAZZART.COM
BRUNI GALLERY LLC.


Sunday, February 10, 2013

ESSENCE women

"Jill Scott was born at the right time to be accepted as is."
Dawn Wolf, Keeper of Stories
9.08.12

singer & actress
JILL SCOT


Kandi Burruss is a composer of note,
and a reality star
The Real Housewives of Atlanta
2010
"Don't know why Kandi Burruss left the show, but I am glad she did. For me, it was disappointing she stooped to the level of the show's maturity level, and joined the cast. Maybe she needed the money. Her call. I trust her deeper sense of who she is, and why she is here is in command creating order for her role in this lifetime upon the Earth, our Mother." - Gregory E. Woods



Iyanla Vanzant sitting with Oprah !!!!




"Look at her! I was always captivated by Iyanla Vanzant. She has long set up shop here in Washington DC, and is part of our African spiritual community. There are eleven African houses here. Six of them are Yoruba. She is respected amongst all of them and a lot of Black Christians accept her, and take counsel with her. I have never done ceremony with her. I would if Spirit designed it that way.

Iyanla Vanzant's powers are read. They register, with most of the men here I know, and know of, when reading her books or watching her on Oprah. I don't know many Black men who watched Oprah regularly, but the Priestess' appearances were worth watching, and paying strict and close attention to. It was partly due to the air she carried. Her air, and her words, and demeanor said, "I am a single mom!" That posture created an immediate response within men raised by women like her. It was in their tone of voice, and it was a response men, like me who were raised in a traditional household, did not connect with in like manner. We had interesting and conflicting testimonies about her advise when it came from the dominant posture of her role playing on the Oprah show. I was used to a dominant masculinity as the head of the house. In discussions we had to admit that her sense of masculinity had a crippling effect upon a boy and a man, and then an insight into her as a wife or a lover colored her affirming, and contradicted a point made!

One day I remember the raw emotions coming out of one cat defending her when she, in my estimation, weakened her husband on national TV the way she spoke about him in relation to money, and income. My man was speaking in his 'little boy' voice defending her statement. He was used to the tone of voice that was demeaning and supportive, or sounded supportive and affirming, but tore down esteem. It angered me, and ticked the rest of us off! Most of us knew she'd killed her marriage unintentionally in that moment. That show took us and others into discussions about masculinity and our manhood, and how a man is shaped by a female dominated household and how a man is shaped in a man/woman dominated household. Feminine masculinity is often accepted by cats defined by their mothers, but that is not a hard and fast rule just an observable factor living within a lot of men.

Along with those, and other things the high Priestess sparked many of us who thought she was so fine, and perfectly made. We couldn't take our eyes off her, and dreaded the inevitable commercial breaks, and loved the long camera shots to look at her body. She was so perfectly made. When she wore colors, and the colors flowed when she talked and walked with that short hair cut, she was divine. We sparkled as her eyes sparkled. The cats in my circle at the time, respected Oprah, but we'd seen her on her Baltimore show, and we were not drawn to her because her introspective work did not embolden a man's spirit. It set us on edge.

The Priestess was Yoruba. West African spirituality is Earth centered. It has a worldview deeply connected to the whole gamut of human emotions, and bodies of being. It is knowledge based. Wholeness, and coolness within elders are developed and earned qualities of being. Those qualities compel us to leave gifts with them before we ask for permission to take advice from them. The need for dominance is not a part of the lexicon of Yoruba, or Akan, or Vodoun. How the Priestess carried these sensibilities and teachings within her African American soul and body was the teacher we needed. We could accept any of her faults because she sought wholeness. When we say she is fine these are the elements incorporated into the compliment. - Gregory E. Woods, Keeper of Stories 9.08.12



actress Tracee Ellis Ross
2012


 "Never wondered about how Tracee Ellis Ross maintains her hair. I was intrigued by how she maintained her pace, her energies and the birth legacy of her family, and how she did not develop into a push over in her field of endeavor." - Dawn Wolf, Keeper of Stories 9.8.12


Saturday, August 4, 2012

NATIVE RIGHT


Sankofa bird symbols

Despite the evil things whites did to us, or because of it and their study of conquest they recorded and saved many of our traditions in print and photography. There are viable ways to retain cultural heritages in many cases; not all, but many. It is also important to guard against pity and rage. Those two have the power to blind and bind with great skill. Ingenuity has more power to return people to the place where they can speak the Sankofa bird into existence.


The Sankofa bird is from the Akan people in Ghana. This bird is a universal gift. "To understand the future and to live in the present requires one to return to one's past." This from Sankofa may help to move from rage and pity into Clarity and Power! These are my words. - Gregory E. Woods, Keeper of Stories (7/13/12)

Wednesday, February 16, 2011

ADINKRA symbol = Nyame Dua

symbol of God's presence & protection NYAME DUA tree of God, altar

The Nyame Dua is a sacred spot where rituals are performed. Erected in front of the house or compound, it is crafted from a tree that has been cut where three or more branches come together. This stake holds an earthenware vessell filled with water and herbs or other symbolic materials for purification and blessing rituals.




Friday, October 23, 2009

ADINKRA SYMBOL OF SANKOFA











SANKOFA
"return and get it"
symbol of importance of learning from the
past







Thursday, October 22, 2009

Adinkra symbol - ANANSE NTONTAN








ANANSE NTONTAN
"spider's web"


symbol of wisdom, creativity and the
complexities of life
Ananse, the spider, is a well-known character in
African folktales.

Adinkra symbol: WO NSA DA MU A



WO NSA DA MU A

"If your hands are in the dish"
symbol of participatory
government, democracy and pluralism
From the aphorism, "Wo nsa da mu a, wonni
nnya wo" -- "If your hands are in the dish, people do not eat everything and
leave you nothing."

Source: "Cloth As Metaphor" by G.F. Kojo Arthur