Why Is Playwright Lorraine Hansberry’s Lesbianism Still A Secret In 2008?
2008 February 23
The ABC television movie “A Raisin In The Sun” will be broadcast on February 25th 2008 at 8:00pm. The television film fulfills the black quota for “black history month”. Pop star Sean Combs is the protagonist Walter Lee Younger. The title of the movie refers to black gay poet Langston Hughes poem “Harlem”.
African American lesbian playwright Lorraine Hansberry’s legendary play once again will be brought back to television to reach a new generation next week. Hansberry was the first black lesbian playwright to have a play produced on Broadway in 1959. “A Raisin In the Sun” was a huge success for Hansberry and launched her career.
The general public of course does not know that Lorraine Hansberry was a lesbian due to homophobia. Why is black lesbianism considered “private” yet “heterosexuality” is a part of the public domain? Although Hansberry married a white Jewish man Robert Nemiroff in 1953 the couple separated in 1957 and divorced in 1964.Hansberry was conscious of her lesbian identity and she negotiated between the public and private spheres. Black lesbians encountered racism from the mainstream, white gay culture, and also persecution from heterosexual blacks.
Lorraine Hansberry’s lesbian identity emerges from the articles she wrote for the lesbian publication “The Ladder” in the late 1950s. Hansberry did not use her full name when she wrote articles for “The Ladder” she used her initials L.H. instead. In the 1950s in America gays and lesbians lived in fear due to witch hunts against homosexuals. Black lesbian women encountered a triple form of oppression in relation to their race, gender, and sexual orientation.
Can you imagine the difficulties black lesbians endured in the 1950s? Homosexuality was still considered a mental illness that can be cured. The topic of human sexuality was still taboo in the 1950s. America was sexually repressed due to heterosexual male domination and male supremacy. The racial and sexual apartheid existed in the United States and black lesbians lived in constant danger due to racism, sexism and homophobia. The civil rights and gay movements did not gather strength until the 1960s.
Black lesbians encountered racism from white lesbians and were barred from entering white lesbian bars and establishments during the 1950s. Black lesbians also endured gender discrimination due to being women and unwanted sexual advances of dangerous, violent, and hostile heterosexual men.
Hansberry was indeed a lesbian but this important component of black queer history should not be erased by the homophobic Occidental world. Heterosexual black publications always ignore the important fact Hansberry was a lesbian. I didn’t know Lorraine Hansberry was a lesbian until I read lesbian activist, feminist, poet, and writer Adrienne Rich’s incisive essay “Compulsory Heterosexuality and Lesbian Existence”. Rich’s analysis is correct society attempts to erase, diminish, and destroy the contributions of lesbians in many ways. I believe the silence about Lorraine Hansberry’s lesbianism is due to the negative attitude that still exists against homosexuals.
Why is the term lesbianism treated like a scatological word? One argument is some straights believe “it doesn’t matter” and if people discover that Lorraine Hansberry was a black lesbian it might “scare people off” from watching the movie. Why is there this invisible code and this silent barrier? If black lesbian emancipation is to occur why is black lesbianism still a social taboo? Society appears to have a love and hate relationship with lesbianism.
The political, cultural, social, and artistic merits of black lesbians such as Lorraine Hansberry must be celebrated and not treated as some shameful abhorrent secret. It is the year 2008 so why are we still reticent? Why hasn’t this final chasm been shattered and the truth still shrouded in silence? Lorraine Hansberry proves that black gay people care about the black community. Often heterosexual blacks believe black gays and lesbians only focus on sexual orientation and ignore race. Lorraine Hansberry proves through art that she was cognizant of the racial, social and political polemics blacks endured during the civil rights era. “A Raisin In The Sun” is about a fictional family struggling to survive in 1950s Chicago at a time when America’s social and racial apartheid was at full strength...
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