Showing posts with label African art. Show all posts
Showing posts with label African art. Show all posts

Monday, December 3, 2018

4 TIMES SEEN creatively.


The African woman is the great divide in the consciousness of freedom 
because of the interference of European thought and aggressive terrorism. . . 
~ Gregory E. Woods, Keeper of Stories




Portrait of a Thai Beauty by Sam Ding shot with his Canon 5DMK2 with 24-70mm 
f2.8l keb@70mm f2.8 ISO200 1slash200s. www.SamuelDing.com  


Vulnerable, as a Being, as a feature to what is beautiful within women is the value placed upon the treasure felt within the essence of what is forever elusive, hard to touch with crudeness. . . There is more of this intangible in this moment you, Sam Ding, captured! - Gregory E. Woods, Keeper of Stories 12/02/18 






Sara Jean Underwood in a holy way of Being. (April 2018).



Tamron Hall, news anchor at work.




Sunday, October 7, 2018

Our Women's Touch Without Words



"Sneering has become a quality of Black American women. It isn't becoming, it is telling. It reflects some things Black men are not doing, not knowing" 
- Gregory E. Woods, Keeper of Stories



Shape of this woman is one of elegance with every move she makes, each gesture and insinuation.






"Elegance creates its own character. She means to convey a number of things, but doesn't need to give to the dull, and the unlearned souls, who merely clamor for attention. She applies only for possession of who she is and what she can give to growth processes..." ~ Gregory E. Woods, Keeper of Stories 10/06/18


Tuesday, March 27, 2018

Africa is Her!



Art. a Mother nursing. artist unknown.



A Black woman of this calibre is bred for the success of appeal. What else she is prepared for is her mystery. Understanding that is a basis for thought, and conversation. . ." - Gregory E. Woods, Keeper of Stories 







[She is an] astounding tribute to tribal connections to a homeland full of complex histories, cultures, and languages of spirit, commerce and family structure reflected there in the vast continent of Africa... - Gregory E. Woods, Keeper of Stories 3/26/18



















breathtaking appearance of Paula Murphy by Roland Dawson in 2016 in a dress she designed!




Oxum, graciosa mãe!


One Black woman asks a question. photographer, Roland Dawson.



Oxum, graciosa mãe, plena de sabedoria!
Que enfeita seus filhos com bronze
Que fica muito tempo no fundo das águas gerando riquezas
Que se recolhe ao rio para cuidar das crianças
Que cava e cava a areia e nela enterra dinheiro
Mulher poderosa que não pode ser atacada



Oshun, Gracious Mother, full of wisdom who adorns her children with bronze, which is too long at the bottom of the water generating riches, Who gathers to the river to take children, who digs and digs the sand and buries money. Powerful woman who cannot be attacked.







Friday, December 29, 2017

African Introspectives





Police brutality by Jamaul Johnson is titled Change. 


Sudanese man by Galal Yousif Goly, an introspective of silence and space.
(2015)



Tuesday, June 20, 2017

EXPRESSION is telling!


painting by Salvador Dali titled Woman with a Head of Roses.


Oriental woman by Hailin Fu

"I wish I could find the words to match the feeling I have looking into the moment captured by Bryan Larsen in this painting titled, Taking Time." - Dawn Wolf, Keeper of Stories
 Quent Cordair Fine Art has this original. 707.255.2242

Country Girls is an original oil painting by Han Wu Shen at


"Therapy", an original oil painting by Perrin Sparks for sale at Quent Cordair Fine Art. This award winning artist is featured at www.cordair.com.





Carmen Dell’Orefice, an American model, 83, was at the Kensington museum to launch Horst. Photographer of Style in 2014.

Sunday, February 12, 2017

MEN'S PLACE



Black Art In America
BARBERSHOP, oil painting by artist Kadir Nelson



I have fond memories going with my father to his barber. In those days boys talked when asked something. I sat for hours listening to these Black men run through the gamut of topics. Laughing and joking were a part of the time with soul or blues music in the background, and most notably there were no women there either. Looking back that meant a great deal. Men needed and need time alone amongst ourselves. Cigar bars, barber shops and parks where checkers is being played are the last vestiges of an old tradition these days.

In fact, newcomers to life need to understand the sanctity of barbershops because in the U.S. for centuries it was against the white man's law for Black people to strike whites, or defend themselves against the advances of whites; even if they tried to kill you. Barbershops were a place white police left alone. "They ain't on the street corner," you could imagine them saying. "Must be alright, then." You see Black men in congregation terrified whites because high intelligence, a just cause, physical prowess and rage were a lethal combination.
- Gregory E. Woods, Keeper of Stories 10.17.16




Older Black man photographed by Wanda Lotus a BAIA member
at a neighborhood block party
in Bronx, NY 3Sept2016, she titled Lotusland.


There are not enough photographic works on the power of the older Black men who lived through the 20th century thoughtfully with intelligence and a propensity for violence in defense of self, family and community. - Gregory E. Woods, Keeper of Stories















teaching technique popular today.


The phone. The phone has less to do with communication.

I learned how to communicate in my youth and developed it as I aged far into my adulthood. The phone, for the most part, retarded in many the powers of language, of the word as power, and disallowed communication skills to develop in far too many young people. Instead of creating a 'new' sophistication it did not. It create a bizarre version of zombie status with a nerdy type of disconnect from the deep sensations of being connected to the vital energies of Life, of Creation!

I use a land line. As I get older using the phone becomes less and less in the forefront of my attention to the details of life moving forward. Communication, as an art form, develops continually and I enjoy it immensely. - Gregory E. Woods, Keeper of Stories (Dawn Wolf)





The Fly Hip and Ageless
Black man's style of dress, elegant along the hard lines.


Hardness present in an elegant way defines some Black men's lives. Fashion hid this to the dim of sight, and made it clear to others who've understood their own struggles towards the light of who they are meant to be in this world of ours.  What clothes don't cover within Black American men is struggle and delight. When a man wears his clothes right he is wearing himself. When he isn't he is off his focus. But, near the end of our lives approaching old age clothes are simply definitive statements and style is the man and less the child who has to wear someone else's version of identity.

I may be wrong on all counts. My sense of style and fashion is fundamentally influenced by my little sister's strong gift with cloth. Making all of the clothes she has ever worn her depth of perception about cloth and spirits wearing cloth has taken me outside of the spectrum of the impact of men's clothes designed and made by feminine men. You see, something about the spirit in cloth, and design sets truly masculine spirits into dominating what is around and within them. That is the mark of hardness present in an elegant way defining Black men I was pointing out.

Manhood is not defined by feminine matters not from the essence of the female essential to the depth and growth of Man. - Gregory E. Woods, Keeper of Stories 10/18/16 


Behind Every Woman is a Symbol.



African beauty with a touch, a flair of the Orient.



"Morse Peckham. I need to thank him for translating what is difficult to translate: essence."

Art is rehearsal for those real situations in which it is vital for our survival to endure cognitive tension, to refuse the comforts of validation by affective congruence when such validation is inappropriate because too vital interests are at stake….Art is the exposure to the tensions and problems of a false world so that man may endure exposing himself to the tensions and problems of the real world. - Morse Peckham



"It took me awhile to relax my mind to digest, but I got this. This is the reason so much unnecessary clutter has become part of so many young people. Art was removed from their learning processes!"

"Since artistic style shows a higher rate of change than any other mode of human behavior, decision-making is most easily observable in art; and further, since art is irresponsible, since neither artistic production nor artistic perception demands manipulation of the environment to one's own benefit, or requires adaptation to the nonartistic environment, it is the perfect instrument for the exploration of the character and strategies of decision-making. Hence it is also the perfect medium for experimentation in decision-making, since, as the Stylists themselves were the first to realize, the specific intellectual and moral content of art ... is a matter of indifference, at least if one is alienated and seeking strategies for self-transformation and self-transcendence. Hence, also, it is an area of behavior in which it is least dangerous to apply the maximum pressure upon oneself. Even philosophy does not offer the opportunities for irresponsibility that art does."

["Aestheticism to Modernism: Fulfillment or Revolution?" (1967), in The Triumph of Romanticism





African art titled Eyes of Hope, a pastel 35x50 by Millicent Osumuo from Nigeria



CREATION!!!!
artist unknown.









Right size woman of Asian persuasion is the epitome of a type of perfection,
but the sacred form of 8 halts the sensuality.
How it does is a man's quest to understand.
- Dawn Wolf, Keeper of Stories
January 4, 2014


African woman. figure of 8.

Sunday, February 5, 2017

Powerful IMAGES



Kaitha Het Heru, spiritual woman, craftswoman, daughter of Yemaya.


Kaitha Het Heru's art titled Ra Rising, a 5x7 in. piece. Hudson River Needle Felt Pastel series from The Master Peace Collection (2015)


Sarah Rector


Maria Borges by Rory Payne for Mixt(e) Magazine 2015 Spring Summer



Inside by Damaris



Sacred Geometry of Light and Shadow.


Tuesday, November 8, 2016

A Spirit from our Ancestors: a tribute.


Kaitha Het Heru.

Kaitha Het Heru, spiritual woman, craftswoman, daughter of Yemaya, I surmise by her work. If I am wrong I hope she corrects me. - Dawn Wolf, Keeper of Stories Nov. 6, 2016  



When first I came across her Facebook page I was struck by what was in her face, her eyes so compelling a light came unto me with these words:  "Deepened knowledge as wisdom is different from the accumulation of information. Beauty as a force within Nature and Beauty as a living force changing and evolving is a knowledge of self, of divinity that directs Life from formlessness to form. Women do this extremely well if they know how...." - Gregory E. Woods, Keeper of Stories Nov. 5, 2016 




Kaitha Het Heru. The Master Peace Collection. A Woman's Work: My Art and My Textiles. One-of-a-kind, limited edition: 
http://www.kaithahetheru.com/


Kaitha Het Heru's art titled Ra Rising, a 5x7 in. piece. Hudson River Needle Felt Pastel series from The Master Peace Collection (2015)



Kaitha Het Heru's hand woven with hand dyed, hand painted silk, cotton fabrics. Machine embroidery. Titled Fiber Art Quilt. (2009). photo by artist.



Awards:

QKingdom Ministries Woman of Great Esteem Award for Religion and Culture.
Harlem Arts Alliance Rockefeller Grant.


Cooper Hewitt Museum 20th Century Afrakan American Textile Artist.
Smai Tawi Wep Renput Celebration 2001

Sunday, November 6, 2016

A Depth to Spirit.


Kaitha Het Heru.
Kaitha Het Heru. The Master Peace Collection
Kaitha Het Heru at work in October 2012 creating with her loom.



www.kaithahetheru.com

Kaitha Het Heru's
"Manifestation of the Infinite Spirit. Hands: Skin. Fingers. Nails. Muscle. Bones. Veins. Blood."
Copyright 2010
Kaitha Het Heru
Photo by Kmur Hardeman 




"Left me without words. Takes the breath away thinking about her creation story." - Dawn Wolf, Keeper of Stories 11.6.16
Kaitha Het Heru's Goddess Yemaya. Triptych. Bas-relief. Matte Glazes. Kiln Fired. 20x11-on half. The Master Piece Collection. A Woman's Work:My Art & My Textiles. (2010)


"Yemaya is the Yoruba Orisha, Mother Goddess of the Living Ocean, and The Mother of All Living Things.


I sculpted this piece as a triptych, which is a set of three panels, side by side. I carved the image of Yemaya as a mermaid with the full moon, ocean, star fish and rocks in bas-relief in which the figures project from the background. The Goddess Yemaya sculpture is perfect as a center piece for an altar. It can be hung or placed on an easel for support." - Kaitha Het Heru, August 24, 2016


Monday, October 17, 2016

Heart Song over Head Strong.



face - this is a graphic artist's work which juxtaposes what is a male style of Ta Moko overlain on a female face





Eye by adnate in South Africa. www.artpeoplegallery.com 


William Bamond said, "Where there is love there is life. The most useful asset of a person is not a head full of knowledge, but a heart full of love, with ears open to listen, and hands willing to help.....NAMASTE."  October 09, 2016


Sunday, September 18, 2016

What I SEE in Me



artistic look at Brandi Homes by Rita Granberry



Mon Top 100 Belle Femmes 



in 2010
“I am, as always, struck by your beauty. It is its own. It has its own voice. It means things one only notices through relationship and on the more superficial level it is a crowd pleaser. But the eye and the senses engaged by the secrets in your eyes carry perception another direction and one can see more. In the end there is your beauty defined by the life you lived, the beauty you share being honest, and the beauty you create by being Indian, and African and Puerto Rican, and a woman challenged in life to be herself. It's a beautiful thing, little sister; a beautiful thing to behold.” - Gregory E. Woods 12.1.10


Thank you so much Gregory. If these words had been written by another, I would probably just glanced at them once. But since these words were written by you, they go in my soul.
Blessed be....Bori.



Maitrieya Sandess walking the beach

 

Tuesday, August 9, 2016

a Warrior's SHIELD


Busty Brit

British woman 



"It is good to know what hurts and what ails you.  It (the pain) becomes part of your shield and in battles what you chose to fight identifies targets and areas of concern. The sharpening of spirit and mind is clearly the task of a warrior. Without clarity how would power fit in and find a place to strengthen you? 

The inflicted pain of racism is good for the soul of the work of a true Peace Keeper and the Warriors... How?"  - Gregory E. Woods, Keeper of Stories 6.15.14




Maasai woman warrior






Monday, April 11, 2016

STREET A R T !!!!




Marvin Gaye painted by Aniekan Udofia photographed by Derrel Todd in April 2016.




Maat Petrova, a spiritual healer in front of a mural June 12, 2010.