Monday, October 8, 2018

Mere, Mama, Mothers


Rosa Brighid composed and still in a simple setting. 
Opulence and how it feels is the temperament of the person.





Simplicity in this simple setting
 captured by Rudy Wahju II's eye.

We cannot always breath again after our breath has been swept out of us by surprise, delight or wonder at the sheer beauty of the subject of some women's essence, we sometimes glimpse. Capturing such a thing on film is the work of art, genius, and care to touch the soul... - Gregory E. Woods, Keeper of Stories 10/06/18 





















In general: The qualities that interrupt our breathing patterns involuntarily are esoteric. What esoteric is belongs to what we perceive by touch, and by touch disseminate with logic and reason. It sad we feel we have to do that to place ourselves above what is beyond touch, and mere belief. It is best to enjoy the unfathomable, absorb its worth feeling its essence. That is how children understand and learn language, and language, itself is Beauty we care to understand by unction, insinuation and yes, touch again, and again, and again....

There is more, but too much without the contact with what balances the Unknown is mere weight. Ain't that something?

In short, I love how you, Alexander Faris, captured the woman's logical connection to the essence of what matters to the subject: "What is beauty, what is kind, what is being perceived?" - Gregory E. Woods, Keeper of Stories 10/06/18 



Natural light portrait taken with Nikon D750 Sigma 85mm by Alexander Faris.


"Femme absolument somptueuse et Merveilleusement belle et séduisante." That means: [The] Woman is absolutely sumptuous and wonderfully beautiful and attractive! In the street vernacular: she is fine as she wanna be! 

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