|Gordon Parks, photographer, as a young man.|
From whence we came !!!
On this date, Nov. 30, in 1912, Gordon Parks was born. He was an African American photographer and filmmaker.
Gordon Parks was born in Fort Scott, Kansas and was the youngest of fifteen children. His mother’s death at a young age and his father’s inability to manage the household led to the family’s break-up, and Parks moving to Minneapolis with his married sister. Unwelcome in his brother-in-law’s house, he soon found himself living on his own struggling to attend school and support himself.
During the great depression (now out of school), Parks absorbed all forms of education with close attention to the talented men and women he encountered in his various jobs. Now a young husband and father, Parks worked as a bellhop, semi pro basketball player, musician, and member of the Civilian Conservation Corps. It was during these times that Parks wrote, composed, and took in what he was unable to receive in a school setting. The picture magazines of the times Vogue, Harper’s Bazaar, and especially the brand new Life caught Parks’ imagination and with incentive from a newsreel presentation from a camera-mans war footage in a Chicago movie theater; he bought his first camera in 1937.
With zeal, talent and patience, Parks began learning his craft. A successful fashion feature for an upscale Minneapolis department store caught the eye of Marva (Mrs. Joe) Louis, who encouraged him to establish himself in Chicago. His fashion background served him well in the windy city’s Gold Coast social circles, yet in his spare time, Parks documented the torrid poverty of Chicago’s south side, and the quickening growth of African-American migration in the areas around the Great Lakes.
His insightful camera work won him the first Julius Rosenwald Fellowship in photography. The money gave Parks the ability to collaborate with visual mentor Roy Stryker in Washington D. C., at the Farm Security Administration during the closing window of the New Deal agencies documentation of depression conditions in America. He worked with Stryker until 1947, shooting for Vogue, and Glamour while writing two books on photo technique. Parks spent over twenty years shooting for Life magazine, part of which was an influential time in their Paris office where he covered fashion, the arts, celebrities, and politics.
The window of opportunity (seized) for him was modern expression and worldwide recognition, but equally important was the African-American experience of lessening racial barriers allowing his creative juices to flow. In the United States, his photographic essays of the 1950s and 1960s were poignantly impacting. He photographed all aspects of Americana and the world with a deliberate style, which won him many firsts for an African-American photojournalist. Parks’ longest assignment began in 1961, when he came to Brazil to shoot the slums of Rio de Janeiro.
His story and photos of Flavio da Silva, a boy Parks found dying of asthma attracted international attention, gifts and medical treatment. Simultaneously, with the emerging Civil Rights Movement, he engaged in the activities its personalities through his craft. His 1971 anthology Born Black is a collection of these images. His gift for telling stories came to fore in 1963 with The Learning Tree, this was followed in 1966 by A Choice of Weapons. In 1969, he was the first black to direct a major Hollywood film (The Learning Tree), which he wrote and produced. Parks also gained attention as a poet, composer; to his various credit are- Shaft 1971, Leadbelly 1976, and Odyssey of Solomon Northrup 1984.
Parks has received many awards, degrees, and citations including Photographer of the Year from the American Society of Magazine Photographers, 1960 and the Spingarn Medal from the NAACP, 1972. In 1989 Parks created a Ballet entitled "Martin".
Books that he has written are Half Past Autumn," 1997, "A Star for Noon," 2000, "A Hungry Heart: A Memoir," 2005, and "Eyes With Winged Thoughts," 2005 Gordon Parks died on March 8, 2006 and was a fine pioneering black representative in visual media for print and features content worldwide.
As a photographer, It was a personal honor to meet Gordon Parks in the early 90's and attend two of his seminars at Henry St. Settlement, NYC. Hosted by him and NY Times Photographer, Chester Higgins Jr.
written by Peter U. Cole
|photographer Gordon Parks.|